Wednesday, October 23, 2013

Tommorow October 25th Class! Read Carefully!

Assignment due Tommorow: 

5 tonal drawings from illustrators's work
5 color sketches based on those same drawings

between 10 and  20 thumbnails of ideas for the Book cover project

3-5 sketches based on those thumbnails in the ratio of 5 x 8"

collected reference and research for Book Cover project.

We will be discussing all of your work thus far on the project and be looking at the research and sketches you have made so far. 


Materials for tommorow:

Watercolor paper and watercolors or acrylics. We will be working with the model in class to do tonal single/dual color paintings of the model


Warning! This next project will be very time sensitive. If you begin to falter at any step, the next step of the project will  pile on top.

You will be graded based on timing and how well you follow the directions, as well as how much extra effort you put in. 

If you follow directions and get everything in on time you will get a passing grade. From Now on, your participation in class, and the extra efforts you make toward pushing the limits of what you can do and the quality of your work is what will get you a good grade.

From now on a piece not finished at the date of final will lose a letter grade. A piece not appearing at the critique will lose two letter grade unless there is a paper excuse from a doctor.


Thursday, October 10, 2013

Book Cover Assignment!

10/10 Class #7
Critique: - Final Children’s book image due today!!!! 

BOOK Cover! 

 In Class: Discussion of Assignment #4. Working on sketches for
new project. Discuss book covers and artists specializing in them. Talk
 about composition and storytelling. Draw from Masters compositions in
class, focusing on composition, tone and value.

 Assignment #4: Classic Book Cover:  2000 Leagues under the Sea. Begin visualizing , finding reference and taking photographs for new assignment.
Be sure to use lighting and think composition. Also remember that the title of the Book and the Name of the Author will need to be accomodated for. The best way to handle this is to draw them in on your sketches. Sketches should be in the ratio of 5 x 8 inches.
I’m attaching a short synopsis of the book, but I suggest strongly you research further into it. Reading the entire book is not necessary, but having a good idea of it’s contents and being able to talk intelligently about it is a good idea. I would skim the book and look for interesting passages to illustrate.

Research and be able to discuss five book cover artists. For each artist,
 write a short paragraph about their work, their area of business and why
you chose their work. Bring 3 examples of their work.

 Sketchbooks: Draw 5 compositional/tonal sketches from the master
 book cover artists you covered in your research.
For Next Week: Bring sketchbooks, larger drawing pads, drawing
materials, colored pencils. Due next week: 5 compositional sketches and
found reference for book cover assignment.


Victo Ngai
James Jean
Jon Foster
Brom
Rebecca Guay
Eric Fortune
Shaun Tan
Jason Chan
John Jude Palencar
Donato 
Dan Do Santos
David Palumbo
Vanja Todoric
Matt Smith
Frank Cho
Jeff Preston
Bruno Werneck
James Gurney
Sam Weber
William O’Connor
Paolo Rivera
Gregory Manchess

Short Synopsis

As the story begins, ships of several nations spot a mysterious sea monster, which some suggest to be a giant narwhal; the creature also damages an ocean liner. The United States government finally assembles an expedition in New York City to track down and destroy the menace. Professor Pierre Aronnax, an expert French marine biologist and narrator of the story, who happens to be in New York at the time, receives a last-minute invitation to join the expedition, and he accepts. Canadian master harpoonist Ned Land and Aronnax's faithful assistant Conseil are also brought aboard.
The expedition departs Brooklyn aboard United States Navy Abraham Lincoln and travels south around Cape Horn into the Pacific Ocean. The ship finds the monster after a long search and then attacks the beast, which damages the steering. The three protagonists are then hurled onto the "hide" of the creature, which they find, to their surprise, is a large metal construction. They are quickly captured and brought inside the vessel, where they meet its enigmatic creator and commander, Captain Nemo.
The rest of the story follows the adventures of the protagonists aboard the creature--the submarine, the Nautilus--which was built in secrecy and now roams the seas free from any land-based government. Captain Nemo's motivation is implied to be both a scientific thirst for knowledge and a desire for revenge on (and self-imposed exile from)civilization. Nemo explains that his submarine is electrically poweredand can perform advanced marine biology research; he also tells his new passengers that although he appreciates conversing with such an expert as Aronnax, maintaining the secrecy of his existence requires never letting them leave. Aronnax is enthralled by the undersea vistas, but Land constantly plans escape.
They visit many places in the world's oceans, some known to Jules Verne from real travelers' descriptions and speculation, while others completely fictional. Thus, the travelers witness the real corals of the Red Sea, the wrecks of the battle of Vigo Bay, the Antarctic ice shelves, and the fictional submerged land of Atlantis. The travelers also don diving suits to hunt sharks and other marine life with specially designed guns and have a funeral for a crew member who dies when an accident occurs inside theNautilus. When the Nautilus returns to the Atlantic Ocean, a "poulpe" (usually translated as a giant squid, although the French "poulpe" means "octopus") attacks the vessel and devours a crew member.

Throughout the story Captain Nemo is suggested to have exiled himself from the world after an encounter with his oppressive country somehow affected his family. Near the end of the book, the Nautilus is tracked and attacked by a mysterious ship from that nation. Nemo ignores Aronnax's pleas for amnesty for the boat and retaliates. He attacks the ship under the waterline, sending it to the bottom of the ocean with all crew aboard as Aronnax watches from the saloon. Nemo bows before the pictures of his wife and children and is plunged into deep depression after this encounter, and "voluntarily or involuntarily" allows the submarine to wander into an encounter with the Moskenstraumen, more commonly known as the "Maelstrom", a whirlpool off the coast of Norway. The three prisoners successfully seize this opportunity to escape, but the fate of Captain Nemo and his crew is unknown.

Friday, October 4, 2013

perspective and foreshortening- links and art

Here are the pages I showed in class dealing with perspective and foreshortening. I'll be adding to this with a few other lessons. Perspective and foreshortening are important factors to gainging a sense of reality to your work. Not Realism, but Believeability. If you look at cartoon, animation, video game art, movie production art, illustration for books, games comics and others, perspective and foreshortening is a basis for much of that art. Please read these look them over and give them some thought as you draw your pieces.


 I'm adding here also a link to Successful Drawing by Andrew Loomis. Between pages 20 and 78 of this book Andrew Loomis makes a pretty complete ( maybe overly complicated) explanation of perspective and how to use it in an image. Toward the end of the those pages he really gets into figures in three dimensional space.

https://www.dropbox.com/s/00foumbucuhj11d/Andrew%20Loomis%20-%20Successful%20Drawing.pdf




Drawing Books

Hey everyone, here is a book I would love for you to Check out. Glen Vilppu is one of the premier drawing teachers for animators and illustrators out there, and he has this little book free on Google books. Here is the link...Read and enjoy!

http://books.google.com/books?id=-1sRWo0QNVYC&lpg=PP1&pg=PA1#v=onepage&q&f=false

Surrealism in Illustration

For those of you who couldn't see this slide show last week or who want to review it, here is the Surrealism in Illustration presentation from last week.

I'll be in the building tommorow for Symposium, so if you want to bug me or learn a little about my work, come one by Shemin Auditorium at 12:45!

See you then!

https://docs.google.com/file/d/0B_bICZCCGROfY3dQcEFqRVRnN0k/edit?usp=sharingSurrealism pdf

Composition and Value Pages From Comics

Here are the pages that I showed the class about value and composition and black and white composition. Look over these and read the line and composition sections in the Loomis book.