Wednesday, April 15, 2020

Final assignment for Spring 202 media arts!

Illustration Assignment 

Mirror, Mirror!


  • Theme: The theme of the project will be mirrors and reflections. There is potential in  creating a character confronting themselves in a dark mirror or reflection which reveals something of the inner character of the person or character. Any other content of the piece can be up to the student. Images should have at least two figures and a background. Be inventive as to what the mirror or the reflection in the piece is. 

• Objective: To work with photographs, drawings and other reference to combine and create a new image which tells the story. To explore the medium of acrylic  and to be inventive in the ways you use your reference and tools.

Requirement: Somewhere within the work there must be a reflection of the character. It should be a central focus of the piece.

  • Student will be required to use principles of color theory, composition, design and a strong concept and other means of creating complex imagery.

Grading:   Assignments will be graded and judged on the quality of the reference obtained, the creativity of the sketches, the use of acrylic, inventiveness of the work and the finish of the final artwork.


Week 1:
Show up to class with 20 well thought out Thumbnails in a 4”w x 3”h ratio. I would like to see a range of sketches building up to these thumbnails. Students should also have a bunch of reference for costume, background and other elements they would like within the image.

Week 2 

In process of collecting references, sketching for final image. Final images should be 12 x 16 on board. 


Week 3: 3 color comps due with different color treatments

Week 4: Finals due


If you need photos Shoot your own reference rather than rely on the internet. Use your cameras, set up costumes even if you need to use yourself. We will need to see your reference in class and talk about it. 


Illustrations by Dave McKean, Android Jones, steve prescott, Bobby Chiu, peter mohrbacher, Dean Cornwell



Things to contemplate in this project:

- color
- texture
- composition
- layers
- brushes
- reference gathering
- using distortion on 
Images

Tuesday, April 7, 2020

Acrylic Assignment Due April 13

Acrylic Assignment A.

Acrylic painting Exercise 

Since we are all stuck at home, I figured you can grab a personal item such as an old pair of shoes, or something else you left at home when you went to college.  Set them up with a single light source and paint them three times using three different triad color spaces. from the color  wheel…here are examples of color triads, the secondary triads will make for more subtle color ranges 


Each Painting should be about 8 x 10 and feature one main object in a triad color space. This is mostly about getting used to how acrylic works and understanding the limits and uses of the medium. If you only have paper I would recommend gessoing the paper or hitting it with a medium( such as matte medium to seal the pores of the paper. Even on board it pays to seal it as you will lose a lot of time as your paint gets sucked into the board. 

Doing a detailed drawing is always a good first move, trying to figure things out later will only lead to disappointment. 

Try doing a wash of color to start out and get rid of the white space and then start painting from there. Acrylic can be washed with water and glazed with medium. “glazing” means suspending the pigment in clear medium whereas a “wash” with water will lay color over board but the luminosity of the paint will be lessened as the water evaporates. suspending the pigment in medium gives a depth to the work. 

Working Dark to light like with oil paints works well but treating acrylic like watercolor ( thin washes and glazes over a drawing can be effective too. Its a pretty versatile medium.

These paintings will be due next week  and will count as in class work for this week and next week. 

We will have an overarching assignment due later in the semester. 



Color notes


When you mix all three colors of your Triad together, you will create a wide range of Neutrals that harmonize with your palette. Add White or Gray to these for even more variety.

*  Remember that your initial mixtures, as shown at the top of this post are the starting point. You will achieve an endless variety of Tints, Tones and Shades, by adding White, Gray or Black.

*  Your colors will be much more harmonious if you choose one of the colors in your selected Triad as the Dominant color.

*  You don't need to work with just three colors. For example, you might use a cool and a warm of each Hue, or several different versions of one Hue. The variety of approaches is endless and entirely up to you.

*  You also don't need to work with all the mixtures of the three colors. Select a range instead, especially with the Primary Triad, otherwise the results can be overwhelming.

*  Your color mixtures will look even better when you add a tiny speck of your Dominant color to each pigment as you paint. 

  • As always, painting will be more succesful  if you're familiar with how your colors interact first. Before you begin, test your colors in your sketchbook.


If you are using digital, applying color layers that are low opacity over the piece will act very much like a glaze or a wash, you can then add or subtract from that layer to reveal the original colors. 




Sunday, March 22, 2020

HI everyone!

We ARE continuing classes! I'm trying to figure out exactly how, but I have a plan. You will be responsible for most class time work and homework on your own. That said I will do my best to help you along the way. 

We will use blackboard collaborate ultra on myslice for the class. I have to set it up and make sure we are good to go by tomorrow, but we should all be able to meet there at 9 am- 10:30am. From there I will give a demo. If you are in a different timezone, don't fret, I will try to record every session. I will need to see work from you that shows you followed along with my demo. Thats how we will keep track of class participation.

 We will turn in homework via photos sent to this gdrive

Since I don't know what mediums you have at home, we will pivot our class to getting really good with the mediums presented and if anyone wants to move onto acrylic and goauche go ahead, I will try to make video demos on those as well. 

We will probably have a painting due every week from here on out. I will specify materials as best I can and we will work to the best of our abilities. Take care and be safe through this unprecedented situation.

Steve!

Thursday, February 13, 2020

materials for watercolor

These are the watercolor supplies you will neede to have this coming week for the
watercolor segment of class!
  • painters white or black tape.

  • Workhorse Large White Folding Watercolor Handheld Travel Palette Tray or similar

  • Drawing Board about 23 x 31”— -Metal edge drawing board or
  • Airlite Drawing Board (a lightweight board with a resin impregnated
  • kraft honeycomb core permanently bonded for strength. The 23x31”
  • board retails for about $36.00) 
  • Watercolor supplies
  • Water color paper: 
  • • Arches, 140 lb. Cold pressed water color block, 10 x14” 
  • • 4 sheets (22x30) of Arches 140 cold pressed water color paper 
  • • 1 sheet, 300 lb Hot pressed water color paper 
  • • 1 sheet 140 lb hot pressed water color paper 
  • • 2 sheet 140 lb cold pressed water color paper 

  • Watercolor brushes 
  • Synthetic Kolinsky sable hair
  • • # 3- price $ 6.44 


  • • #5 price$9.28 or a #8 -price $27.05 
  • • #10 - price $ 35.57 


  • Watercolor paints 
  • (buy tube colors only) I recommend Winsor & Newton paint
  • Alizarin Crimson, Cadmium Red-light, Cadmium Orange, Cadmium Yellow-pale,
  • Yellow ochre, Raw umber, Burnt umber, Burnt Sienna, Raw Sienna,
  • Ultramarine blue, Cerulean blue, Olive Green, Hooker’s or
  • Viridian Green and Van Dyke Brown 
  • • Spray ( water) bottle 
  • • Watercolor Masking Fluid- 90ml or smaller 
  • •paper towels


  • Large( 36 oz or larger) plastic or other cup for water. 

Sunday, January 12, 2020

Syllabus for ILL 254 Spring 2020!

Hi all!

 Here is the syllabus and materials list for the class. Note the class will start at 9 and we will go all the way to 12:30.
This blog is here so I can post assignments, references, inspirations and resources for the class. Please check it every week, new assignments and stuff will be added usually at the latest by the Thursday of each week(hopefully sooner).

For class tuesday you will need a 9 x 12 sketchbook, writing utensils. Please show up at 9 ready to work!


ILL 254 Media Arts Techniques II


Instructor Steve Ellis

Phone: 315 289 5771

Office: RM 328 Shaeffer

E-mail stellis@syr.edu

Office Hours: 12-1pm Mondays 

Meeting times:Tuesdays  9- 12:30 Rm 307




Course Description:

Survey Introduction and practice with  different media for use in professional illustration work. 


Goals: My goal is to help you learn how to handle and explore a variety of media
and materials that are used to create illustrations.
Emphasis will be placed on your imagination rather than the ability to copy an image.
The ultimate goal is to help you find your own, personal way of communicating visually. 
Class Policies No laptops unless assigned No texting or phone calls during class.
You will be given 2 warnings about texting in class, your 3rd offense will reduce your
grade a half a letter grade for each subsequent offense. 
All instruments that receive calls, messaging or anything else that makes a
sound should be put on vibrate. If you receive an emergency phone call or
text you should leave the classroom to answer it. 



Presentation of assignments: reflects attitude and is part of the classroom
participation component of your grade. 
Thumbnail sketches: Small sketches created in your sketchbook so you
can see how your thoughts work on paper. These sketches are for personal
critiquing only. This method should help you see if an idea can work visually.
Since thumbnail sketches help you resolve your ideas, you should complete
as many as possible.
A good amount of thumbnail sketches for each assigned is 5 –15. 


Sketches: For each assignment you should create 5 to 15 sketches
in your sketchbook. Students should indicate, with an asterisk,
which 3 sketches are their favorite or redraw them as a group on a
separate sheet(s) in their sketchbook.
Your favorite sketches, called rough sketches, should be clear, clean
and easy to read. These rough sketches should be completed in black
line and/or with 3 values -black, gray and white, and composed of simple
shapes that can be “read” from about 10 feet away.
They also need to be in proportion to the final illustration.
If the final image is going to be vertical, your rough sketch should also be vertical. 
Review assignments: are evaluated by the class during critiques but are not handed in. 


Critique: A final review by the class and handed in at the end of class. 
SYLLABUS: The syllabus is subject to change as the need arises.
SURVEY: At the end of each semester, your work will be displayed
and individually assessed by department faculty.
All illustration majors must participate in the end of the semester survey.
This is not a portfolio class. We are here to experiment and learn.
The objective of this class is to experiment and learn, not develop
portfolio pieces. Relax and enjoy yourself. 


Prerequisite / Co-requisite:

ILL 2Media Arts Techniques Section 1


Audience:

Students interested in learning the techniques and materials needed to produce
illustrations in the current age of illustration

Credits: 3 credits ( 120 Credit Hours of work) 



Learning Objectives:
After taking this course, students will be able to:
Understand the effective use of materials such as ink, watercolor, acrylic and
goauche and their use in illustration.
Have an effective understanding of the illustration world and artists working in the field


Bibliography/ Texts / Supplies – Required:

All students are required to buy the assigned textbook-
the Society of Illustrators 57th Annual for the fee of $25.00 (online only).
The book usually sells for $45.00 You are welcome to buy a copy directly
from the program for the cost of $30.00. Cash only to Bob Dacey.
Please purchase your copy ASAP because supplies are limited.
Link is below http://www.societyillustrators.org/Product.aspx?id=13651
You must have your class text book by week 4 


Required materials:

There will be a list of materials for class in a separate document


Course Requirements and Expectations:

Students will be expected to show up in class every week ready to work,
complete assignments on time and in a professional manner as outlined in class


Grading:

A = 90 and above B = 80-89; C = 70-79 ;D = 60-69; F =59 and below
Grades will be based on: 
In class work 
Out of class assignments
Participation in classroom critiques 


  • You will receive addition grade points for the following things that make me happy!
Any additional reading or research on websites, blogs or articles 
Class participation 
Visiting museums and galleries and taking notes
Additional drawing, painting and experimenting 






Grading Table




Grades*
Grade points
/ credit*
Percentage Range
Total Points
A
4.0


A-
3.66


B+
3.33


B
3.0


B-
2.66


C+
2.33


C
2.0


C-
1.66


D
1.0


F
0


1 Available only for Law students in LAW courses.


University Attendance Policy

Attendance in classes is expected in all courses at Syracuse University.
Students are expected to arrive on campus in time to attend the first meeting
of all classes for which they are registered. Students who do not attend classes
starting with the first scheduled meeting may be academically withdrawn as not
making progress toward degree by failure to attend. Instructors set course-specific
policies for absences from scheduled class meetings in their syllabi.


It is a federal requirement that students who do not attend or cease to attend
a class to be reported at the time of determination by the faculty.
Faculty should use “ESPR” and “MSPR” in Orange Success to alert the
Office of the Registrar and the Office of Financial Aid.


Students should also review the university’s religious observance policy
and make the required arrangements at the beginning of each semester.


Course Specific Policies on attendance, late work, make up work,


Attendance is required. One absence for the semester will be
tolerated; however, you are still responsible for turning in assignments on time.
Two unexcused absences will lower your final grade by one letter grade.
You will FAIL the course in the event of a third absence! Mechanical failures
(alarm clocks, car failure, etc.) are not valid excuses.
Lateness of an hour or more will count as a half absence.
Chronic lateness or skipping out early will also count towards an absence
and will lower your grade. There is a 10 minute grace period and then class will begin. 

Syracuse University Policies: Students should review the University’s policies

regarding: Diversity and Disability https://www.syracuse.edu/life/accessibility- diversity/;

the Religious Observances Notification and Policy-

http://supolicies.syr.edu/studs/religious_observance.htm; and



Disability-Related Accommodations:

If you believe that you need academic adjustments (accommodations)
for a disability, please contact the Office of Disability Services (ODS), v
isit the ODS website– http://disabilityservices.syr.edu,
located in Room 309 of 804 University Avenue, or call (315) 443-4498 or
TDD: (315) 443-1371 for an appointment to discuss your needs and the
process for requesting academic adjustments. ODS is responsible for
coordinating disability-related academic adjustments and will issue students
with documented Disabilities Accommodation Authorization Letters, as
appropriate. Since academic adjustments may require early planning and
generally are not provided retroactively, please contact ODS as soon as possible.


Academic Integrity Policy:

Syracuse University’s Academic Integrity Policy reflects the high value that we,
as a university community, place on honesty in academic work. The policy defines
our expectations for academic honesty and holds students accountable for the
integrity of all work they submit. Students should understand that it is their
responsibility to learn about course-specific expectations, as well as about
university-wide academic integrity expectations. The policy governs appropriate
citation and use of sources, the integrity of work submitted in exams and
assignments, and the veracity of signatures on attendance sheets and other
verification of participation in class activities. The policy also prohibits students
from submitting the same work in more than one class without receiving
written authorization in advance from both instructors. Under the policy,
students found in violation are subject to grade sanctions determined
by the course instructor and non-grade sanctions determined by the
School or College where the course is offered as described in the
Violation and Sanction Classification Rubric. SU students are required
to read an online summary of the University’s academic integrity expectations
and provide an electronic signature agreeing to abide by them twice a year
during pre-term check-in on MySlice.

Course Schedule: To be handed out as separate document